Sunday, January 16, 2005

Distinctions of Holographical Sound

With the discovery of sound waves in the CMB, we have entered a new era of precision cosmology in which we can begin to talk with certainty about the origin of structure and the content of matter and energy in the universe.

Wayne Hu

A lot of times is it very hard for me to even concieve of what a dimensional world might look like. So I tend towards defining this priniple in someway that is reduced to tangible realities in configurations.

So lets say that the higher dimensional realities can be associated to sound. Now I am not concerned right now with the physics of sounds, but want to speak about this for a moment in context of the gravitational wave disguised as the graviton, comparative to the phonon, as a representative for sound.

Now of course I would draw some great criticisms here for playing around with to many things, but I have reasons for doing so.

Let me just seal it for now with this.

Here’s an analogy to understand this: imagine that our universe is a two-dimensional pool table, which you look down on from the third spatial dimension. When the billiard balls collide on the table, they scatter into new trajectories across the surface. But we also hear the click of sound as they impact: that’s collision energy being radiated into a third dimension above and beyond the surface. In this picture, the billiard balls are like protons and neutrons, and the sound wave behaves like the graviton.

So you get my point here, lets think about what the idea of the holographical could represent if you want to move your thoughts and into the world of the graviton and the world of dimensions.

Some may not be concerned, by the implications of concepts becoming, but it is vital that such idealizations firmly entrench themselves within the comprehension of what settles in any mind, might be very constructive of a schematic? Is previously describe in those dimensions. Oh boy you say! It's a very simple concept once it is understood.

Since there exist in this four dimensional structure [space-time] no longer any sections which represent "now" objectively, the concepts of happening and becoming are indeed not completely suspended, but yet complicated. It appears therefore more natural to think of physical reality as a four dimensional existence, instead of, as hitherto, the evolution of a three dimensional existence.

The three dimensinal frame is easy to contend with becuase it is easily contrive as a perspective, and one that si rightly so, what ever your perspective?:)

This is part of the difficult is using analogous contexts to describe the potential that vibratory rate might have, and if it settles itself to some zeropoint consideration, that is distinctive of this particle, then might we say the nature of the energy has been discerned, in what it represents. Harmonically, its signature revealled, but what pray tell might the harmonious states reveal of the self, if we move back to the pool table for consideration? What psychological processes have been born in mind that have constructed themself into a ideal, developed in potential reformations of idealizations?

A Chladni plate consist of a flat sheet of metal, usually circular or square, mounted on a central stalk to a sturdy base. When the plate is oscillating in a particular mode of vibration, the nodes and antinodes set up form a complex but symmetrical pattern over its surface. The positions of these nodes and antinodes can be seen by sprinkling sand upon the plates;

But there's more to this for consideration that must be contended with, and for this I have contrive the holographical world to a three diensional frame as a solidifcation of sorts. So I must interject with a bow and a steel plate for this example, knowing full well that I have added the third coordinate by injecting it into the two. Forgive me:) But I wanted to get to the pool table and the balls that collide for obvious reasons. Dimensional reduce to schematics, you might say.

PURPOSE: To show the two-dimensional standing waves on the surface of a square or circular plate.

It never really makes a impression unless you consider the significance of the sound and what is embedded within it that can be reduced to the abstractual coordinates of some math, that we have seen readily available distinction immediately designed?

So there is no arguement about this, the place in a two dimensional surface is easily understood, but if you raised this to a sphere, bubble resonances would have been easily configure to fuller designs(?), or maybe even patterns moved to the third dimension, from the drum. But here we have freed the mind to all kinds of exposures that now spheres as circle on two dimensional plane might be described, as the radius' evolve to larger perspectives. Oh dear Hinton what have you done?:)

Plato's Solids, and the Sound of the Landscape?

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