Showing posts with label Creativity. Show all posts
Showing posts with label Creativity. Show all posts

Wednesday, September 17, 2008

The Inventor's Notebook

"Genius is one percent inspiration, ninety-nine percent perspiration." - Thomas Alva Edison, Harper's Monthly (September 1932)


Thomas Edison's first successful light bulb model, used in public demonstration at Menlo Park, December 1879

You might find a similarity here, that speaks to ingenuity and such, while seeing the historical significance of what is being spoken too. As if, it is the necessity at the forefront of knowledge today. This is "ole stuff being replayed" as if "young minds" need to be reminded, and mine is not so young that I have not gone down these routes before. Or that I needed a reminder.

In computer science, tabula rasa refers to the development of autonomous agents which are provided with a mechanism to reason and plan toward their goal, but no "built-in" knowledge-base of their environment. They are thus truly a "blank slate".


There is no doubt that invention is a process that needs recording. That it shows the procedural avenues to an "established idea" is the necessary aspect of "owning something" that other minds might have missed. It is garnered in the perception of, anomalies, that are met by using that experimental procedure.

Edison's U.S. Patents by Execution DateThis graph shows the annual number of successful U.S. patent applications Edison executed (that is, signed in preparation for filing at the U.S. Patent Office). In 1882, at the height of his work on electric light and power, he completed 106 successful applications.See:Edison's Patents

What are one's productive years and one can think of those who had their times in the light, and those who continued to work by procedural efforts to clock many instances where new inventions continue to arise.

It is often the "novice of science" is attracted to the halls where such ideas become alluring as to what is the "mystery to life?" An event. Such examples become the guiding light as to what life is about? A new web site, or an institution developed to work on the new ideas about Physics and such. One might think that this is the "highlight of all that follows education" the example of the scientist in progress. But it is much more then that. Every detail replay again and again and a question as to how it could possibly be?

Applicability of invention is the diversity of the mind to bring this idea to fruition. It includes that diversification to the lives of many people. While this idea is then part of the procedural efforts of development, it is of no less importance that even though Thomas Edison called the idea of inspiration only 1 percent, it was indeed the work to manifest that this idea, could become the reality of the effort by that 99%.

Observation Pays Off

I always reiterate the validity of the experiment to follow. To see how quick the mind is to spot such contradictions. To highlight how important observation plays in the recognition of the anomalies that arise in our everyday lives.

I have used paintings to suggest how good the mind is to perceive the objectification of things within the content of our views that reveal and require a depth to one's thinking, by inclusion of the process of moving to the "next step" in experimental justification and applicability.

Anomaly and the Emergence of Scientific Discoveries[/b] Kuhn now moves past his initial topic of paradigm to scientific discovery saying that in order for there to be a discovery, an anomaly must be detected within the field of study. He discusses several different studies and points out the anomaly that invoked the scientific discovery. Later in the chapter he begins to discuss how the anomaly can be incorporated into the discovery to satisfy the scientific community.

There are three different characteristics of all discoveries from which new sorts of phenomena emerge. These three characteristics are proven through an experiment dealing with a deck of cards. The deck consisted of anomalous cards (e.g. the red six of spades shown on the previous page) mixed in with regular cards. These cards were held up in front of students who were asked to call out the card they saw, and in most cases the anomaly was not detected.


See if you recognize the validity of what I am saying, then you would have to know something a little bit more about the person who uses the name of Plato. Is to understand, that I was already given an anomalous event within my own life. It rocked the very foundation in face of, all that science has given me.

Tabula rasa (Latin: scraped tablet or clean slate) refers to the epistemological thesis that individual human beings are born with no innate or built-in mental content, in a word, "blank", and that their entire resource of knowledge is built up gradually from their experiences and sensory perceptions of the outside world. See Tabula rasa: The Glass Room

I do not ignore this process of science. I think, that to dwell further on "the space that I am showing," is to recognize the emergence of the idea, is still much more then that 1% of inspiration. Because it includes life as we know it already, and all that we know, while giving the idea may have it's proponents mindful in other examples.

I am not going to go into them because they would be considered "not valid" but point out this is the "seed motivation" that arises in my quest for understanding of what "gravity is to mean." Who would know that this excursion into "the unknown" would have it's applicability "to all peoples" regardless of there gender, their race, or how rich or poor you are.

See:

The Inconceivable being Believable
The Value of the Dollar
Tabula rasa:The Glass Room

Sunday, May 04, 2008

The Socratic method

Death of Socrates by Jacques Davidthis picture depicts the closing moments of the life of Socrates. Condemned to death or exile by the Athenian government for his teaching methods which aroused scepticism and impiety in his students, Socrates heroicly rejected exile and accepted death from hemlock.

Self portrait of Jacques-Louis David, 1794, Musée du Louvre

Here the philosopher continues to speak even while reaching for the cup, demonstrating his indifference to death and his unyielding commitment to his ideals. Most of his disciplines and slaves swirl around him in grief, betraying the weakness of emotionalism. His wife is seen only in the distance leaving the prison. Only Plato, at the foot of the bed and Crito grasping his master's leg, seem in control of themselves.
See:Jacques-Louis David: The Death of Socrates

It was important people understood that even though there is this Glaucon who offers himself as a brother to Plato, it is the very "innate structure within the self" that I point too, as we search and quest our way in the world. It is about Creativity. Opening the doors not only to what has always existed but also realizing that such a stance is the provision for which the lightcone points to the now.

So what is of value is that we understand the dialogue can produce autonomous students whose strength are the understandings given, from compiling all the resources, and thusly, find of value that one may of found the discussion moved further by one more step?

Socratic Method

Socratic Method (or Method of Elenchus or Socratic Debate) is a dialectic method of inquiry, largely applied to the examination of key moral concepts and first described by Plato in the Socratic Dialogues. For this, Socrates is customarily regarded as the father of Western ethics or moral philosophy.

It is a form of philosophical inquiry. It typically involves two speakers at any one time, with one leading the discussion and the other agreeing to certain assumptions put forward for his acceptance or rejection. The method is credited to Socrates, who began to engage in such discussions with his fellow Athenians after a visit to the Oracle of Delphi. The Oracle of Delphi confirmed Socrates to be the wisest man in Athens. Socrates interpreted this as a paradox, and began utilizing the Socratic method in order to get his conundrum answered. Diogenes Laertius, however, wrote that Protagoras invented the “Socratic” method.[1][2]


Thus, I present the obvious in what Lee Smolin is trying( a picture perhaps of him writing the "Rovelli name," as an observable) a place in time, as he has positioned himself amongst particular views. That within every lecture, a telltale sign, that is continuously refined and pushed further, through his articulations. The realities, as he has come to believe of them?

So from within this context, I am referred back to the nature of the article by Bee of, "Every Now and Then," and the value placed on the Now. I will be posting a new post in regard to "The Problem of Time in Quantum Cosmology," for further consideration and relevance as extolled by the Backreactions article.


At 11:07 AM, May 04, 2008, Blogger Plato said...

The Socratic method

Most Socratic inquiries consist of a series of elenchai and typically end in aporia.

Frede (1992) insists that step #4 above makes nonsense of the aporetic nature of the early dialogues. If any claim has shown to be true then it can not be the case that the interlocutors are in aporia, a state where they no longer know what to say about the subject under discussion.


Aporia

Aporia (Ancient Greek: ἀπορία: impasse; lack of resources; puzzlement; embarrassment ) denotes, in philosophy, a philosophical puzzle or state of puzzlement, and, in rhetoric, a rhetorically useful expression of doubt.


So moving forward here is the understanding that "Ingenuity can find it's opening by creating a configuration space" for the "sum over path" and "all probabilities," while holding, the idea that these would not evolve further in time? I mention the idea I had about the calorimeters and the views in relation to the configuration space earlier, and in this context I see what cannot evolve further other then to look at the relevance in regards to cosmology's look into what Glast measures are saying, at the time of it's expression.

These are still held in context of the universe, and is part of the evolution of this universe, whether one agrees with it or not. It is part of the resulting talk pointing out the evidence of "boltzman brains" materializing in that space.

Wednesday, February 13, 2008

The Value of the Dollar

Ingenuity
The term ingenuity or applied ideas is used in the analysis of Thomas Homer-Dixon, building on that of Paul Romer, to refer to what is usually called instructional capital. Ingenuity is often inherent in creative individuals, and thus is considered hard to separate from individual capital. It is not clear if Dixon or Romer considered it impossible to do so, or if they were simply not familiar with the prior analysis of "applied ideas", "intellectual capital", "talent", or "innovation" where instructional and individual contributions have been carefully separated, by economic theorists.


I thought this link to Backreaction important.

Source Global Insight

See: World Gold Council

In regards to historical context of gold in relation to the American Dollar. What is it we see today in terms of Gold's value? An insecurity possibly on what was once a strong American Dollar, is now being undercut.

Addison Wiggin writes,

The power and influence of the United States in 1971 should not be ignored. It was the decision to go off the gold standard that, in effect, destroyed the orderly economic policies that had been possible through Bretton Woods. Introduction to the Demise of the Dollar ( John Wiley& Sons, 2005)


If effective changes were to be hidden within the society 's evolution why did it's citizens not know what was befalling them? Political deceptions practised? Was Nixon declaring bankruptcy?

Bretton_Woods_system

Free trade relied on the free convertibility of currencies. Negotiators at the Bretton Woods conference, fresh from what they perceived as a disastrous experience with floating rates in the 1930s, concluded that major monetary fluctuations could stall the free flow of trade.

The liberal economic system required an accepted vehicle for investment, trade, and payments. Unlike national economies, however, the international economy lacks a central government that can issue currency and manage its use. In the past this problem had been solved through the gold standard, but the architects of Bretton Woods did not consider this option feasible for the postwar political economy. Instead, they set up a system of fixed exchange rates managed by a series of newly created international institutions using the U.S. dollar (which was a gold standard currency for central banks) as a reserve currency.


Satisfying the Immediate Needs

So given information about the circumstances in society and the requirement of dealing with the sustainability of life, calculations had to be made that allow people those moments of creativity. So given the service industry and making free the ability to play, insightful moments produced a culture that was allowed these intimate moments, while it was necessary to make sure life dealt with the needs of sustainability.

So increase demands on the culture to apply themselves, and reducing the amount of money available, reinforces the dependency on self to make sure that life is taken care of. What adverse reaction does this place on those moments of creativity?

Artistic expansionism from Scientific valuation

Immediately what came to mind is the avenues of artist research into the methods of perspective and dimensional interpretation of form. While being given the "limits of knowledge in terms of geometric proportions" may be evident when an artist applies himself to what is understood in those limits?

Art Mirrors Physics Mirrors Art, by Stephen G. Brush


Arthur Miller addresses an important question: What was the connection, if any, between the simultaneous appearance of modern physics and modern art at the beginning of the 20th century? He has chosen to answer it by investigating in parallel biographies the pioneering works of the leaders of the two fields, Albert Einstein and Pablo Picasso. His brilliant book, Einstein, Picasso, offers the best explanation I have seen for the apparently independent discoveries of cubism and relativity as parts of a larger cultural transformation. He sees both as being focused on the nature of space and on the relation between perception and reality.

The suggestion that some connection exists between cubism and relativity, both of which appeared around 1905, is not new. But it has been made mostly by art critics who saw it as a simple causal connection: Einstein's theory influenced Picasso's painting. This idea failed for lack of plausible evidence. Miller sees the connection as being less direct: both Einstein and Picasso were influenced by the same European culture, in which speculations about four-dimensional geometry and practical problems of synchronizing clocks were widely discussed.

The French mathematician Henri Poincaré provided inspiration for both Einstein and Picasso. Einstein read Poincaré's Science and Hypothesis (French edition 1902, German translation 1904) and discussed it with his friends in Bern. He might also have read Poincaré's 1898 article on the measurement of time, in which the synchronization of clocks was discussed--a topic of professional interest to Einstein as a patent examiner. Picasso learned about Science and Hypothesis indirectly through Maurice Princet, an insurance actuary who explained the new geometry to Picasso and his friends in Paris. At that time there was considerable popular fascination with the idea of a fourth spatial dimension, thought by some to be the home of spirits, conceived by others as an "astral plane" where one can see all sides of an object at once. The British novelist H. G. Wells caused a sensation with his book The Time Machine (1895, French translation in a popular magazine 1898-99), where the fourth dimension was time, not space.


So given some insight in to artist rendition what value, when we find such moments conducive to sitting at a stream, and it;s ability to let the mind wonder free with that creative flow? You had to know yourself, and understand what was inspirational.



Penrose's Influence on Escher
During the later half of the 1950’s, Maurits Cornelius Escher received a letter from Lionel and Roger Penrose. This letter consisted of a report by the father and son team that focused on impossible figures. By this time, Escher had begun exploring impossible worlds. He had recently produced the lithograph Belvedere based on the “rib-cube,” an impossible cuboid named by Escher (Teuber 161). However, the letter by the Penroses, which would later appear in the British Journal of Psychology, enlightened Escher to two new impossible objects; the Penrose triangle and the Penrose stairs. With these figures, Escher went on to create further impossible worlds that break the laws of three-dimensional space, mystify one’s mind, and give a window to the artist heart.


To do with Less

So it comes full circle then that demands placed on people given the change i society, asks that we look to what we really need in life to support not only one's family, but the ability to work responsibly within in the confines of the dollars we work for. What is it's meaning then?

If we see the direction Gold is taking, can we then not surmise the valuation of monetary systems need to undergo a correction? Given that circumstance, what value do you place in Pensions knowing it is part of a unfunded liability that could disappear in a heart beat?

So immediately the baby boomers need to some calculations as well as set the pace for reforms. This will transfer down with the framework of society through that adjustment become what is acceptable once dependency on a manufacturing based is realized again. New technologies, replacing worn out old ones.

What about oil and gas, electricity as energy dependencies?

This presents the opportunity to apply the skills we need to undergo change and develop societal valuations on it's commodities.

Tabula rasa (Latin: scraped tablet or clean slate) refers to the epistemological thesis that individual human beings are born with no innate or built-in mental content, in a word, "blank", and that their entire resource of knowledge is built up gradually from their experiences and sensory perceptions of the outside world. See Tabula rasa: The Glass Room

Friday, February 09, 2007

Crucible

True creativity often starts where language ends.
Arthur Koestler


How many of you had thought the body you inhibit as a "vessel or a crucible?" I related in the previous post to ""Democritus had Passion and Heat?" to the idea of "Passion and Creativity" as as things that relate to the heat?

Now you ask what the heck is this to mean?

Well I spoke briefly on the woodcuts in "Hermetic Ties: Art to Esoteric Form" to demonstrate what the alchemist like to do as they used an "artistic form" of their day. To hide these "analogies" about just such a thing as I am describing in relation to the body and the crucible as being very similar.


The original of Splendor Solis which contained seven chapters appeared in Augsburg. In miniatures the works of Albrecht Dürer, Hans Holbein and Lucas Cranach were used. The author of the manuscript was considered to be a legendary Salomon Trismosin, allegedly the teacher of Paracelsus. The work itself consists of a sequence of 22 elaborate images, set in ornamental borders and niches. The symbolic process shows the classical alchemical death and rebirth of the king, and incorporates a series of seven flasks, each associated with one of the planets. Within the flasks a process is shown involving the transformation of bird and animal symbols into the Queen and King, the white and the red tincture. Although the style of the Splendor Solis illuminations suggest an earlier date, they are quite clearly of the 16th century


I gave a picture of a woodcut, as example of this, and what it means. As well, the relationship to the "Emerald tablet for consideration" in this thought about creativity and passion. About "distilling the very essence" we are made up of, as we think about things. As we give "colour and meaning to emotive happenings" that you are not aware, yet exist, in a "colouring of a sort outside you" you never knew about?

Do I fare better in my emotional disposition? I have to say I am quite human, in my struggle to identify those things that I develop in my relations, and wish for better then the Zen Master, whose anger quickly dissipates. :)

See again the relationship I used in regards to Democritus. While it is indeed old these comparisons I make of the history as science evolved, did you think that they would have been discarded? Even in this day and age, the art form of pursuing the excellence in the human being without applying this alchemist attitude to life is not without the perspective I share with Jung. Also in those who are trying to understand the EQ (Emotional quotient) now adopted in the understanding of the human being?



I belong to no group or faction, but deal with this from a perspective of research and understanding in relation to studying "the self." The "psychological aspect of this work" not only from an historical perspective, but from a understanding of today's psychology as well.

Am I credentialed? Am I a scientist? Of course not. So from that standpoint the ownest is to "weight the ideas" that I put forth, and for you to find whether your recognize "the truth" in what I say. It is not my intent to spread disinformation(token authority) and propagate illusions in the dealing with reality.

My work is to further expose our "subtle actions" from ways which have not been dealt with before? Including the way in which "new concepts are developed" in relation to science. IN this respect, I may be called "the seer" but do so with great respect of what Smolin set out to distinguish, understanding fully, the responsibility of the work of science to work from testability and experimental procedures.

The Synesthesist

For someone who sees as a Synesthesist, even though I do not see like them, I am able to "make the comparison," built from "modelling perspectives" that I developed while compiling and doing my own research.

Even the Synesthesist will have to ask themself whether what I portray is significant in there own research and understanding, as they are continuing to apply and understanding the "sensual imputes" that have been "cross wired." I may work from a "conceptual basis?"

I am trying to bring "this point of view of my own" from the metaphysical realm, and give it meaning in relation to our lives today. Hence I could be labeled the "broken flower pot," while giving a "vast view of the interrelationships" that I have been working.

A crucible is a cup-shaped piece of laboratory equipment used to contain chemical compounds when heating them to very high temperatures. The receptacle is usually made of porcelain or an inert metal.
Use in Ash Content Determination

Ash is the completely unburnable inorganic salts in a sample. A crucible can be similarly used to determine the percentage of ash contained in an otherwise burnable sample of material such as coal, wood, or oil. A crucible and its lid are pre-weighed at constant mass as described above. The sample is added to the completely dry crucible and lid and together they are weighed to determine the mass of the sample by difference. The crucible, lid, and sample are then fired to constant mass to completely burn up the sample, leaving behind only the completely unburnable ash. After cooling in dryness, the crucible, lid, and remaining ash are weighed to find the mass of the ash from the sample by difference. The fraction of ash (by mass) in the sample is determined by the dividing the mass of the ash by the mass of the sample before burning, which is done by subtracting the weight of the crucible and lid from the figure of the container, lid, and sample.

Thursday, February 08, 2007

Democritus had Passion and Heat?

It seems "humour" is pervading the internet today, so I thought I would add my take.


Democritus Laughing, by Hendrick ter Brugghen, 1628, in Rijksmuseum, Amsterdam
According to legend, Democritus was supposed to be mad because he laughed at everything, and so he was sent to Hippocrates to be cured. Hippocrates pointed out that he was not mad, but, instead, had a happy disposition. That is why Democritus is sometimes called the laughing philosopher


If one had never understood the entanglement process" might one have ever understood what could happen when you mix three circles/sphere of knowledge which overlap to become the "Venn logic of approach?"



Are men suppose to be "Illogical" and "Impassionate?" Maybe "that heat" can refer to the subjective analysis of all the things we might talk about in terms of "creativity?" Yet too, all the things that could involve the human being whilst it engages in the emotive memory induced entrapment of the world inside, which may disallow "clarity of the situation?"

The Art of Doodling

A graph induced analysis of the "boring lecture?" Whose point is the "climatic schedule of the hour," could have ripples following "all the power of that one moment?" While "witnessing this event" the deeper aspect of the student is engaged with things "rising from the unconscious."

Unbeknownst to them, having withdrawn into the dream world, they brought back with them, subjective desires of their soul? Impatience, and "being to the point" while all thing allowed them to journey a long distance from the classroom?

So having drawn this "three circles" or "introducing the "graph of boredom," the idea here is to explain what is "preoccupying the mind" when it should really be paying attention?:)

Democritus, known in antiquity as the ‘laughing philosopher’ because of his emphasis on the value of ‘cheerfulness,’ was one of the two founders of ancient atomist theory. He elaborated a system originated by his teacher Leucippus into a materialist account of the natural world. The atomists held that there are smallest indivisible bodies from which everything else is composed, and that these move about in an infinite void space. Of the ancient materialist accounts of the natural world which did not rely on some kind of teleology or purpose to account for the apparent order and regularity found in the world, atomism was the most influential. Even its chief critic, Aristotle, praised Democritus for arguing from sound considerations appropriate to natural philosophy.
In common with other early ancient theories of living things, Democritus seems to have used the term psychê to refer to that distinctive feature of living things that accounts for their ability to perform their life-functions. According to Aristotle, Democritus regarded the soul as composed of one kind of atom, in particular fire atoms. This seems to have been because of the association of life with heat, and because spherical fire atoms are readily mobile, and the soul is regarded as causing motion. Democritus seems to have considered thought to be caused by physical movements of atoms also. This is sometimes taken as evidence that Democritus denied the survival of a personal soul after death, although the reports are not univocal on this.

Friday, January 12, 2007

Music of Hemispheres

Hearing Colors, Tasting Shapes By Vilayanur S. Ramachandran and Edward M. Hubbard

Modern scientists have known about synesthesia since 1880, when Francis Galton, a cousin of Charles Darwin, published a paper in Nature on the phenomenon. But most have brushed it aside as fakery, an artifact of drug use (LSD and mescaline can produce similar effects) or a mere curiosity. About four years ago, however, we and others began to uncover brain processes that could account for synesthesia. Along the way, we also found new clues to some of the most mysterious aspects of the human mind, such as the emergence of abstract thought, metaphor and perhaps even language.
See here.

Who would have thought to present such an "overlapping of the senses," to think, that our life is much better defined in all that we can become. While we "concretize" our views about the matter states . "IN principle, in our convictions, and no less, then the "what of change" in our human constitutions.


Images courtesy of Vinod Menon (Stanford University)-Images from an experiment to locate the neural regions of the brain involved in listening to music. Daniel Levitin and another scientist scanned the brains of 13 people as they listened to scrambled and unscrambled versions of a tune.
“By the age of 5 we are all musical experts, so this stuff is clearly wired really deeply into us,” said Dr. Levitin, an eerily youthful-looking 49, surrounded by the pianos, guitars and enormous 16-track mixers that make his lab look more like a recording studio.

This summer he published “This Is Your Brain on Music” (Dutton), a layperson’s guide to the emerging neuroscience of music. Dr. Levitin is an unusually deft interpreter, full of striking scientific trivia. For example we learn that babies begin life with synesthesia, the trippy confusion that makes people experience sounds as smells or tastes as colors. Or that the cerebellum, a part of the brain that helps govern movement, is also wired to the ears and produces some of our emotional responses to music. His experiments have even suggested that watching a musician perform affects brain chemistry differently from listening to a recording.


Of course these are "matter states" defined and "of measure."

Synesthesia (Greek, syn = together + aisthesis = perception) is the involuntary physical experience of a cross-modal association. That is, the stimulation of one sensory modality reliably causes a perception in one or more different senses.


But yes indeed, what of a more "quantumly defined view" about what is not seen? Least I say, with "conclusive proof" that all these states of being in our human structure, and without measure are "not true?" Then what use "any method" that I would say and develop of value to "other defines states" of being, other then the "physical?" Emotional, Mental, or spiritual?

Sir Isaac Newton

It is true without lying, certain and most true. That which is Below is like that which is Above and that which is Above is like that which is Below to do the miracles of the Only Thing. And as all things have been and arose from One by the mediation of One, so all things have their birth from this One Thing by adaptation.


Babies Begin Life with Synesthesia

It is not without wonder then, that the child in us all, was in a better defined state of existance? Before, the "focus of structure" along with the views of the physical body, could have "pronounced the reality" with "all the things" that make each of us human to our reality now.

Whilst it "may have been" less complicated then "before," we assigned each of our senses accordingly to what stimulai will activate the "different regions of our brain?" These are learnt and developed states, that has "past our meddling", to have now become engrained in our physical makeup? What then, are we to evolve too?

Society with the way it now is, is focused in the "communication era of computers" and such. What attribute of the mind/brain is being developed, as we physically type on the keynoard in front of us, whilst we communicate on a level of mind that is less then the verbal sound communications our mouth's manifest in relations?

Tuesday, December 05, 2006

Ring World

Impact armor, a flexible form of clothing that hardens instantly into a rigid form stronger than steel when rapidly deformed (for example, by the impact of a projectile such as a bullet) - a technology which is quickly approaching reality; in fact being tested during the 2006 Winter Olympics as a product called d3o


Lest you forget "the concept" above is written in a story form of our past?

How is it possible for the human mind to see itself in some future?

We must ask ourselves about the value of the conscience "in moving backwards in time?" An "image" constructed(memory), while not having this ability to "move forward?"

Imagine that you give weight to the idea of human experience, limiting it, to the shades of darkness in our emotive responses. Yet, there is a time when happiness seems so effortless, that as we check how fast "time" has past, we wonder in amazement?

No need here to draw up Einstein's conclusions about a "pretty girl and the hot stove" again and again, as it should have sunk in by now? You are the observer and you color your world.



It's a brief image that I saw myself deploring the satellites in space. Yet, with it the fear of holding on to all that is the firm resolve of one's own focus. Of what is known. Of what we feel is safe? A satellite lost in space. My own fear, as I gazed into the black unknown, possibly lost forever.

It is part of "my" conscious mind that I would produce such imagery? No, my anxieties were manipuated into a picture form. I sent the insecurites of my own awareness of mind deep into the "creativity" of the subconscious mind.

You did not know you had such ability did you?:)

Imagine that I stand on the edge of the Grand Canyon "which I did," and that space spread out before me, is the space of the universe? Imagine indeed, how tight my grip as I look.

Science Fiction

Who is it that could not be touched by the fiction of science to have speculated about how we shall live in another time and place? It comes out when you create the circumstances for the mind to wonder, "creatively."


(Larry Niven's Ringworld, seen from space. Artwork by Harry Frank
Ringworld is a Hugo and Nebula award-winning 1970 science fiction novel by Larry Niven, set in his Known Space universe. The work is widely considered one of the classics of science fiction literature. It is followed by three sequels, and it ties in to numerous other books in the Known Space universe.
.


What gives the mind it capabilities to venture forward and we find technologies in the "sports world being demonstrated" to harness the "memories of the geometrics" which will save us?



If you understood the "lighthouse analogy" then why had you failed to realized the most "intense point" of impact/ highest energy particles delivered, arose from such geometrics involved? Hulse and Taylor? How was the binary stars revealed while the revolutions got closer?



Lest some forget too, it is well that the mind see's the value of the "gravity probe b" in such "geometric form" that it has placed a picture(nit it's schematics?) before us, which saids and acknowledges the nature and move to the non-euclidean geometries. Understandng the "lagrangian perspective" is then is a short step away?

Now what has transpired from the fiction of Ring World?


d3o Mesh is a perforated textured sheet which has been specifically designed for comfort and breathability for applications requiring good flexure and medium levels of impact protection and is suitable for all applications.
(dee-three-oh) is a specially engineered material made with intelligent molecules. They flow with you as you move but on shock lock together to absorb the impact energy.


It is okay to thnk about "the theoretical" and push forward the circumstances that allow one to speculate and drawn the new imagery of mind to new horizons. New lives. We do this all the time when we re-assess our lives in face of the directions we would like to go?


Plato:
Now you must remember, as a student and a older one at that, there will always be mistakes. Being granted this reprieve for a time(writing our fiction?), while we look at the question asked, what do I think? Hmmmm.... interesting question.


What is your story of creation? What hides underneath the story, what is it 's nature, that we may have "created the myth" and let one believe it is just a story?

Friday, November 24, 2006

Status of "Warp Drive"

Time is of your own making;
its clock ticks in your head.
The moment you stop thought
time too stops dead.
Angelus Silesius


The plot created here in this post in this fictional sense(?) so that I too may deal with the issues of time travel?

Of course time travel is on my mind for reason that some may not suspect, yet it is with "past history" that we are "embedded with knowledge" from our past attempts. From these, if knowledge is acquired for each soul, then how is it that it sat for for the day to be awaken properly? Where did we begin?


Two main difficulties arise from Plato's view of Transmigration. First, Plato says that we have knowledge of universals because of the experiences of our souls in past lives. However, whence comes the knowledge of the first soul? In purely Platonic theory, it must have had no knowledge at all, and hence Plato's concept of transmigration as the basis for innate knowledge fails. A second difficulty lies in explaining the varying, and especially the apparently increasing number of incarnated souls over history.


So this knowledge is somewhere? Is it as if we move our focus on the Tonal, and we see differently, or, that by profound shifts in our perspective on model apprehension, that we see anew?


Sir Isaac Newton



If we had been changed then, had it been from the Tabula Rusa being blank?

It is as if, "the cosmologist has been detained," bewteen the beginning and end of this universe, yet, shall not ask, "what is it" and, "how did it begin?" That it's very existance it came from nothing, thus, shall never end? How illogical is this?

Plato:One of the things that appeared so strange to me was in how we could look at gravitational variances with scientific means. As we know now, this is being accomplished in ways that test the minds imagination, as to how we would apply these features here to earth, and beyond. Timespeak

How "warped the mind then," to create such a controversy. Use this to exemplify a point about creativity? Have I some how degraded "the wording" to show that "what is possssible" is indeed the imaginary mind that likes to play tricks, whilst it developes this whole new train of thought? Simultaneity?


Francis Bacon (1561 - 1626)


Sir William Shakespeare



Sir Francis Bacon, disguised by "Shakespearean thought," was just an actor of "creativity," portraying a role of a political man? Yet, the thoughts extended, as if this man was in another place and time? Is it that easy? This story true?

Plato:Creativity? Ways in which we allow "information" to travel through? Play the game? Allow "ingenuity" as the "poetic river that flows" to the surface on you, from everything, or, the blank slate?

Is it useless knowledge then or that science requires this blank slate to allow us to deliver on the basis of science? Each starting position, that we write clearly and hence know that from that time forward, what is being built upon?

Time travel

Plato:Thus the initial idea here to follow is that the process had to have a physics relation. This is based on the understanding of anti-particle/particle, and what becomes evident in the cosmos as a closed loop process. Any variation within this context, is the idea of "blackhole anti-particle expression" based on what can be seen at the horizon?Tunneling in Faster then Light


Warp Drives", "Hyperspace Drives", or any other term for Faster-than-light travel is at the level of speculation, with some facets edging into the realm of science. We are at the point where we know what we do know and know what we don’t, but do not know for sure if faster than light travel is possible.

The bad news is that the bulk of scientific knowledge that we have accumulated to date concludes that faster than light travel is impossible. This is an artifact of Einstein’s Special Theory of Relativity. Yes, there are some other perspectives; tachyons, wormholes, inflationary universe, spacetime warping, quantum paradoxes...ideas that are in credible scientific literature, but it is still too soon to know if such ideas are viable.

One of the issues that is evoked by any faster-than-light transport is time paradoxes: causality violations and implications of time travel. As if the faster than light issue wasn’t tough enough, it is possible to construct elaborate scenarios where faster-than-light travel results in time travel. Time travel is considered far more impossible than light travel.


So previous(Tunneling in Faster than Light) to this post, I tried to show where my thinking was currently held in regards to anti-particle/particle, as examples of what is happening in LHC.

Also, I cleared the air of what was held in mind in terms of the Cerenkov radiation transported ahead of, in faster then light medium capabilities as the blue light. This does not remove my speculations in terms of what is happening in probing the "perfect fluid" and the dissipative effect of microstate blackhole creation. What happens in that moment of high energy collision processes.

Saturday, November 18, 2006

Bacon is Shakespeare?

A modern day puzzle, becomes, blogger world signatures? Taken to a, "Whole....nother....Level.



Creativity? Ways in which we allow "information" to travel through? Play the game? Allow "ingenuity" as the "poetic river that flows" to the surface on you, from everything, or, the blank slate?

What kind of person are you who reveals them self in the words chosen, or the picture highlighted? Humor, as a deeper response for those who look beyond the confines of words, and laugh? We just intuitively get it?

What use that language?

Tragedies, where allowed "the other to speak," and let loose all the mournings of words lost, are covered by our heart's responses? "Released." The soul without it's burdens, carries on. Not really.

Describes the "fictional" in face of the real, while "highlighting the injustices" performing characters, as individual/politicians saved? Another place, and time?


Francis Bacon, De Dignitate et Augmentis Scientiarum, 1623.


The knowledge of Cyphering, hath drawne on with it a knowledge relative unto it, which is the knowledge of Discyphering, or of Discreting Cyphers, though a man were utterly ignorant of the Alphabet of the Cypher, and the Capitulations of secrecy past between the Parties. Certainly it is an Art which requires great paines and a good witt and is (as the other was) consecrate to the Counsels of Princes: yet notwithstanding by diligent prevision it may be made unprofitable, though, as things are, it be of great use. For if good and faithfull Cyphers were invented & practised, many of them would delude and forestall all the Cunning of the Decypherer, which yet are very apt and easie to be read or written: but the rawnesse and unskilfulnesse of Secretaries, and Clarks in the Courts of Princes, is such, that many times the greatest matters are Committed to futile and weake Cyphers.
But it may be, that in the enumeration, and, as it were, taxation of Arts, some may thinke that we goe about to make a great Muster-rowle of Sciences, that the multiplication of them may be more admired; when their number perchance may be displayed, but their forces in so short a Treatise can hardly be tried. But for our parts wee doe faithfully pursue our purpose, and in making this Globe of Sciences, we would not omitt the lesser and remoter Ilands. Neither have we (in our opinion) touched these Arts perfunctorily, though cursorily; but with a piercing stile extracted the marrow and pith of them out of a masse of matter. The judgement hereof we referre to those who are most able to judge of these Arts. For seeing it is the fashion of many who would be thought to know much, that every where making ostentation of words and outward termes of Arts, they become a wonder to the ignorant, but a derision to those that are Masters of those Arts: we hope that our Labours shall have a contrarie successe, which is, that they may arrest the judgment of every one who is best vers'd in every particular Art; and be undervalued by the rest . As for those Arts which may seeme to bee of inferior ranke and order, if any man thinke wee attribute too much unto them; Let him looke about him and hee shall see that there bee many of speciall note and great account in their owne Countrie, who when they come to the chiefe City or feat of the Estate, are but of mean ranke and scarcely regarded: so it is no marvaile if these sleighter Arts, placed by the Principall and supreme Sciences, seeme pettie things; yet to those that have chosen to spend their labours and studies in them, they seeme great and excellent matters. And thus much of the Organ of Speech. -- Francis Bacon, The Advancement and Proficience of Learning, p 257-71, Book VI, 1640.


Sciences current work in Cryptography? A Vast difference then what is reveal in the Shakespearean language? Maybe, it is here, where I see the questions of Susskind's thought experiment about the elephant in two places?

We've learnt in the natural sciences that the key to understanding can often be found if we lift certain dividing lines in our minds. Newton showed that the apple falls to the ground according to the same laws that govern the Moon's orbit of the Earth. And with this he made the old differentiation between earthly and heavenly phenomena obsolete. Darwin showed that there is no dividing line between man and animal. And Einstein lifted the line dividing space and time. But in our heads, we still draw a dividing line between "reality" and "knowledge about reality", in other words between reality and information. And you cannot draw this line. There is no recipe, no process for distinguishing between reality and information. All this thinking and talking about reality is about information, which is why one should not make a distinction in the formulation of laws of nature. Quantum theory, correctly interpreted, is information theory.


So we find the methods to determine the beginning(Tabula Rusa) and what had always existed in a ideological discourse about which was before "form?"

Innatism is a philosophical doctrine introduced by Plato in the socratic dialogue Meno which holds that the mind is born with ideas/knowledge, and that therefore the mind is not a tabula rasa at birth. It asserts therefore that not all knowledge is obtained from experience and the senses. Innatism is the opposite of empiricism.

Plato claimed that humans are born with ideas/forms in the mind that are in a dormant state. He claimed that we have acquired these ideas prior to our birth when we existed as souls in the world of Forms. To access these, humans need to be reminded of them through proper education and experience.


So shall one then debate about what existed in the beginning of this universe, if we are presented with the thought that we are already born with knowledge and ideas? That we should start from such a blank slate? So then for you, nothing existed before? Or has something philosophically and profoundly, always existed?

This means you can never discard what you set in motion, only that what you started has consequences, and moves into the next life? So we try and do it right in this one. We accept the burden/choice for growth, and learn.

But this is a personal choice. We do not in face of "what lies in the dormant state" disregard empiricism. You see Plato and Aristotle together, don't you?

So we come to what is of value after we have learn about Cerenkov radiation and what did not exist before, now exists? Time travel? How is this possible in the scenario of LHC? Have we accepted faster then light entities in our assessment of what goes beyond the speed of light? Then I have to show how this is so?

Tuesday, October 24, 2006

Raphael the Painter



By 'dilating' and 'expanding' the scope of our attention we not only discover that 'form is emptiness' (the donut has a hole), but also that 'emptiness is form' (objects precipitate out of the larger 'space') - to use Buddhist terminology. The emptiness that we arrive at by narrowing our focus on the innermost is identical to the emptiness that we arrive at by expanding our focus to the outermost. The 'infinitely large' is identical to the 'infinitesimally small'.The Structure of Consciousness John Fudjack - September, 1999




Self-portrait by Raphael


While I am no great philosopher, the idea of truth was very important one to me. Finding some method by which to proceed was very difficult without the teachers handy. So I learned to trust my intuition as I was lead from one place to another. By it's own design, the correlation I termed in relation to cognition were very important discover about my own potential. I had to symbolically discribe the very actions of what goes in, and what comes out, turns through that channel in much the same way a electromagnetic field governs by analogy the principle of life around the human body, as information passes through the center.

If conceived as a series of ever-wider experiential contexts, nested one within the other like a set of Chinese boxes, consciousness can be thought of as wrapping back around on itself in such a way that the outermost 'context' is indistinguishable from the innermost 'content' - a structure for which we coined the term 'liminocentric'.


Will this become part of the greater complexity of the life form, as information becomes part of the larger context of the souls growth? How is that measured? How is t external world brought back in and then turned outward, and the "colors change" as the truth begins to dawn?

For me the story here starts with a painter and from the very painting itself, one can imagine a larger story unfolding, as one peers into the center of the School of Athens.

For now, the music is set aside, for the "foundational perspective" that issues forth from this blog.



I added this biography of the artist himself and "crunched" behind him is a speculation of a kind that becomes the basis of this bloggery. It is about observation and the search for truth as we look at the work of Raphael and the following information that I hold in consideration of this painting.

Our attempt to justify our beliefs logically by giving reasons results in the "regress of reasons." Since any reason can be further challenged, the regress of reasons threatens to be an infinite regress. However, since this is impossible, there must be reasons for which there do not need to be further reasons: reasons which do not need to be proven. By definition, these are "first principles." The "Problem of First Principles" arises when we ask Why such reasons would not need to be proven. Aristotle's answer was that first principles do not need to be proven because they are self-evident, i.e. they are known to be true simply by understanding them.


Do we know what Raphael was trying to impart through these images?

Inductive and Deductive

While holding the School of Athens by Raphael then picture in mind and consider the following?

Aristotle from a a posteriori leads perspective in one way, and Plato a prior?

PLato saids, "Look to the perfection of the heavens for truth," while Aristotle saids "look around you at what is, if you would know the truth"


So from that basis look at what is portrayed in the opening statement above with regards to Plato finger pointing up and Aristotle's hand sweeping pervasively?

So while I lead one through a vast maze of links here it is not without doing my own research that I could now point you to wikipedia for examination of the many things that we could learn of Plato. Imagine Plato continues to live through all this information?

Without Plato a a personification of the some of the ideals I have, I know who I am. The sun as a symbol of enlightenement? Then following, Plato's Cave Analogy?

As a beginning, you see I started to point out some of the more important features of the leadng perspective of Aristotle, and the link I see to Robert Laughlins building blocks of matter?

But before I jump so far ahead, maybe it is indeed useful to link wiki here so one gets the jest of what may be implied by an example?

Epistemology or theory of knowledge is the branch of philosophy that studies the nature and scope of knowledge. The term "epistemology" is based on the Greek words "επιστημη or episteme" (knowledge) and "λόγος or logos" (account/explanation); it is thought to have been coined by the Scottish philosopher James Frederick Ferrier.

Much of the debate in this field has focused on analyzing the nature of knowledge and how it relates to similar notions such as truth, belief, and justification. It also deals with the means of production of knowledge, as well as skepticism about different knowledge claims. In other words, epistemology primarily addresses the following questions: "What is knowledge?", "How is knowledge acquired?", and "What do people know?". Although approaches to answering any one of these questions frequently involve theories that are connected to others, there is enough particular to each that they may be examined separately.

There are many different topics, stances, and arguments in the field of epistemology. Recent studies have dramatically challenged centuries-old assumptions, and the discipline therefore continues to be vibrant and dynamic.



So while some would point to the very functions of perceiving aspects of the higher self, if there is such a thing accept in one conceptual framework, or messages from God, as Ramanujan received the equations in dream time. I think of this as a very dynamical process, that each of us possesses. If without the teacher to guide us, then the teacher most certainly makes it's way into the mind for observation?

Innatism

Innatism is a philosophical doctrine introduced by Plato in the socratic dialogue Meno which holds that the mind is born with ideas/knowledge, and that therefore the mind is not a tabula rasa at birth. It asserts therefore that not all knowledge is obtained from experience and the senses. Innatism is the opposite of empiricism.

Plato claimed that humans are born with ideas/forms in the mind that are in a dormant state. He claimed that we have acquired these ideas prior to our birth when we existed as souls in the world of Forms. To access these, humans need to be reminded of them through proper education and experience.


While it is referred to the young born into this world, what said that any person could not become that "blank slate" that would allow the wider perspective of what has been lived, is not confined to this life, but is exposed as that channel is opened for the wider perspective about life?

I say,"
I mean really, if, each of us is born into this world with such a blank slate, then how is an idea incorporated into such a design of our blank slate. Especially, if there had not been some influence predisposed, to draw ideas into the appropriate environment for consideration?


While we provide for the nurturing aspect of creativity to express itself, we find that such freedoms are encouraged by observation of the introspective attitude we gain by learning about ourselves.

The Medicine Wheel as a Mandala



It is not so much that we learn about the very "drawing here for you" but that it is circular in nature, and by the very discription the mandala is pretty "clear cut" as to what manifested from a deeper level in my own mind.

Now what you do not understand is that the center is very important feature on what we focus on. While the "purity of thought" is presented here. It is the idea that the closer to the source you get, the purer the thought/idea that manifests into the theoretical world.

While I attempt to explain the process this does not disavow you from experimenting and testing, so that the advancement of knowledge and understanding reawakens you to the "nature" of one's being? What is this?

Thursday, October 12, 2006

George Gabriel Stokes

Sir George Gabriel Stokes, 1st Baronet (13 August 1819–1 February 1903) was an Irish mathematician and physicist, who at Cambridge made important contributions to fluid dynamics (including the Navier-Stokes equations), optics, and mathematical physics (including Stokes' theorem). He was secretary, then president of the Royal Society.

I mean this discourse on the nature of viscosity is leading in the sense that what has been currently going in terms of RHIC "is the physics" and understanding that came about by the pursuate of elementary considerations.

Physicists Andrew Strominger and Cumrin Vafa, showed that this exact entropy formula can be derived microscopically (including the factor of 1/4) by counting the degeneracy of quantum states of configurations of strings and D-branes which correspond to black holes in string theory. This is compelling evidence that D-branes can provide a short distance weak coupling description of certain black holes! For example, the class of black holes studied by Strominger and Vafa are described by 5-branes, 1-branes and open strings traveling down the 1-brane all wrapped on a 5-dimensional torus, which gives an effective one dimensional object -- a black hole.


This is part of the understanding that with those who try to diminish the substance of this avenue of research have missed in their wide sweeping generalizations, less then adequate of string theory. You do not dismiss Strominger lightly as part of that generalization.



So in regard to multiplicities, should we dismiss the substance of the viscosity nature here while those who are less then kind about the avenue of research regarding the model string theory, find that people like Lee Smolin have decided to work with people like Clifford to deal with these physic's issues. Although he is not changing his tune in regards to the substance of this theoretical/concept/idea model, he does appreciate the science behind it.

For those who up hold the laws, and I mean the badge of the peace officer here at Backreaction. It is nice that we understand this history as it is being explained. Shall we succumb to the mechanical modes of being and we disavow "creativity" according to the limits of the law, or must we push ahead in the "greater courts" of theoretics and challenges to these laws.

Again I am reminded of Einstein's quote here.

...the creative principle resides in mathematics. In a certain sense therefore, I hold it true that pure thought can grasp reality, as the ancients dreamed.Albert Einstein


Some would have you believe that you have acted irresponsibly in regards to model apprehsnsion about nature? Don't let them fool you or coierce you into thinking that you have disvorced yoruself from reality. If "pure thought" resides in the essence of these "mathematical forms," then where do these ensue from?


See:

  • Navier-Stokes equations
  • Sunday, August 13, 2006

    # 184 Metamorphosis

    "A Nuance" can be a compelling thing for the soul as it seeks to understand why something has caught it's attention.

    IN that case, I pointed out the relation to Einstein's "early life" and the compass as an example. IN one other example, I pointed out the man who saw the geometry of his early life, as he noticed the shadows cast. The angles of geometry had made themself known.

    Another example I used, was of my own younger brother who has since passed on in years, told me of his youth, and the realization of why he would teach deaf people to sign in his later life.

    IN the sandbox of his youth, he was making tunnels, and all of sudden he could not hear the world around him anymore. He ran into the house crying asking mother why he could not hear?

    These nuances may be called meme's by some?



    You have to remember that the numbers correspond to pages that were read from the book, "The Structure of Scientific Revolutions," By T.S. Kuhn. The individual that read this, made notes, and each of these notes corresponds to a page.

    I used the title "#63:Six of Red Spades" to drive home my point about "anomalistic behavior" and the problems facing scientist's.

    What's life without a problem to solve?

    I also bunched in Smolin because of his use of Kuhnian perspective recently. If Lee Smolin can use it in his new book, and invoke this subject into the engagement of science, then why not, at the intersecting roads to quantum gravity? :)

    I have my reasons. While some of you may of had your own nuances made known, I also had many of mine that worked their way to the surface of my awareness.

    #63:Six of Red spades-
    Page 63-About red spades and black hearts.


    Thus too, from my developing perspective and language, what use new models, if it were not given to ways in which one can percieve reality that others are not accustom too? I speak, but it does not make sense to a lot of people, yet, it is based on a model assumption I used, to drive forward my perceptions.

    I never forgot what science required, or, what it was doing by experimental purposes.

    Onto the Notes

    A question/answer from Kuhnian book, synthesized from another into notes. I answered them.

    It's been awhile. Here is the answer I gave in quote below.

    Page 184:
    Reversible and irreversible are levels infused in each other.




    So a man weights the issues in his life and has something against he compares, what value could have been garnered from it when it has come into balance?

    That it equals what he has been sure of in his attempts or is there differences that arose that caused further reaction?

    A man who has found balance, and in looking at it from the whole page, recognizes, the duality in life as necessary changes in life? How did he come to know his values are different and how much more do they weight then the other?

    You have found balance in your life, what does this mean?

    It means that the very issues of the heart come into focus when something arises in opposition. What should happen then, that conflict arises from these differences? Is this a moment of change, that we could say in retrospection, that the life we have lived, has lived to the scale of truth to which I had set my own life to standard, and on review, the convictions and awareness grows beyond the borders of what was known to have been confined in experience?

    That the boundaries of existance , and in moving into a new domain, sees where the life and all its events have made a statement for him,? Has revealed the pattern his life will now move too, and how far can this be taken?

    Lets just say, that if the speed through which we had measured something was infnitely slow on a macro scale , how fast indeed would all life been contained in that blink of a eye? So what are we seeing then, that a whole life has been reviewed?

    Would we not see the rise to non-euclidean spaces as a recognition of the differences of the triangle on a sphere or its hyperbolic counterpart, and what have we see from the flat plane in its measure? What is zero that we have not recognized that the symmetry here is space and what matters will move too?

    What is a frozen space in analogy, that we would see all thing in contractive phases to see, is shape in matter determined, by the nature of gravitation forces inherent in that movement?

    What would this mean in side one, who has seen the world and recognize the emotion that was dark in its manifestation, to have found a very slow moving world. Against one, which would have recognize, a higher value to emotive and inspirative connections? Funny how time can travel so fast?

    If we slowly recognize the matters to which we had been involved in life, the ancient understanding of a process of Platos would have us acknowledge the platonic forms as a attempt to understand nature? That the very stars in their expression, would have understand the very nature of human kind in its growth from these matters?

    When the matters are moved to the heart, there is the possibility for the mind to recogize the heart of these matters, as it will now be understood, as a measure of what we hold to truth. We each are unique in this measure, as we are individuals in our attempts at expression?

    The metamorphosis, cacooned in a life lived, is a new page, when a man's eye has turned into that butterfly:)


    Where does this energy flow into one?

    You have it circulate the lower centers(The square base of the pyramid), or it can be transferred to the higher centers(triangulated)? A metamorphosis is required. The cacoon, now becomes the butterfly. Imagine, being wrapped like a cacoon and all that you had taken in, becomes transformed in the heart(you have learnt to work with the emotions), to the "heart in the mind?" You are no longer trapped in the body emotions, but have gained access to the spirtually qualities of life?

    Inspiration and creativity is like a "nectar of a kind," when you think about the "substance of reality" and what culminates from using the energy, artistically embued?

    Of course looking for those places that allow all of us to use this universal language, given it's place and time, I wonder? Can this place be the fifth dimensional backdrop I have spoken about often and placed "ideas in mind" from whence they come, all probabilties, because you did "own it" from what went inside?

    #185:Symmetry Breaking

    I spoke often as well of the "Scale of truth."

    It is true that most scientists (at least the ones we know) would consider themselves to be puzzle-solvers as much as they are scientists. After all, a scientist who is not trying to solve puzzles must be a bored scientist indeed!


    What is to be found when we are confronted with the heart and it matters? Would we then call it, "the Scale of Heart and Truth?"

    A man reviews his life, and what has he seen in all that he has lived? What has been created in that all these truths, become fixed in a man's consciousness, not to have considered all that has been built?

    What becomes the man's crucible, that all matters could have been combined, to arrive at the scale, to which such minds would excell too? How would we know this, and what value would we have attributed to a Ego that works to excell, to a Heaven, and recognize the Hell in which his life has been marred?

    He would have to recognized that the matters and all life that he has been involved in, required the conviction of a Ego to excell and Crown itself. He would have recognized indeed, that such matters and the rotation out of, from that center now recognizes the mind that watches all that he can become and has become?

    EnvironmentalChemistry.com: Periodic Table of Elements


    A firm conviction of belief is then supported, in the validation, and we soon learn, what truth must be weighted against the heart of, that we have lived our life indeed?

    Standard Model

    So he realizes that he has been building this truth within self, and on the final analysis, what will you have to say about all that you have lived? What will you have to say abut all that you had choosen, and here now, the conscious you decides, and the adjustment here made?

    Indeed the whole picture has now been looked at. The you, who observes now decides, and the whole map that is you, now moves ahead to what determination?

    He comes back to life then? He has seen all that he has been, and what choices made. All that has become firmly inplanted within the life, and in all this that you now weight, has changed who you are. How could one become so different then, from all he has been, unless he has seen the whole picture?

    Does he then recognized tht indeed that choice is the heart of all matters, and what moves such matters that we indeed recognize something anmidst its formation. That all energy in motion recognizes, that it has its motivation to be, and what gave it so?




    So, if someone did not know where the "psychic interpetation was asked of the image of the Scale of Truth", then what purpose would it serve you going "back in time" to know that you will be sent "back to the future?" To access all that you had taken inside, and become "the sound" that gathers all information in the "new reality from which the stillness born" an assignment, given each soul willingly and purposely taken on?

    Monday, June 12, 2006

    Harmonics will Color Your World?



    If you are a active participator of the very world around you, how is it, the makeup of high energy particle creations could not have included the standard model make up "harmonically described" does it not also apply to our "very thinking and conscious mind?" :)

    The Landscape “avant la lettre” by A.N. Schellekens

    The lowest harmonics correspond to the particles of the Standard Model, plus perhaps a few new particles. The higher harmonics correspond to an infinite series of particles that we can never observe, unless we can build a Planck Energy accelerator


    So of course the very basis of the thinking was drawn in my mind to the very subject enlisted by the minds of our predeccessors, to wonder, how this associative function could have ever been at the basis of how we may look at the World?

    Lee Smolin:
    In case it is not obvious, let me emphasize that harmonic oscillators are not relevent here, and can play no role in a background independent quantum theory, precisely because the division of a field into harmonic modes requires a fixed background metric. Thus, the physics of the problem REQUIRES an alternative quantization


    Of course it is never easy for me to understand what is going on while we have the issues of the background, versus, the non background, and this brings up the ole debates about positions and adoptives stances scientists have taken in regards to the "duality" of science's "quantum gravity" issues?



    Do I have a complete grasp of it. Absolutely not, while it forces me back to the issues, as to what is the basis of this "difference of opinion?"

    THE ANTHROPIC PRINCIPLE


    Leonnard Susskind and Lee Smolin


    While this is a conversation written by physicists for physicists, it should nonetheless be of interest for Edge readers as it's in the context of previous Edge features with the authors, it's instructive as to how science is done, and it's a debate that clarifies, not detracts.

    So by historically looking back, this is a reminder, about the ways in which science people are still looking at things, while holding their positions of thought today?

    SEan's meeting at PI, is a very interesting one becuase what it does is take the teacher and student scenario, and manifests the circumstance of clarification as to positions, while providing for a intuitive surge to present itself in the minds of it's participnats.

    So this debate then was held and it's relationship rememebered within this blog as to the basis of determination, about how we see the universe and all that is in it.

    Lee Smolin:

    The aim of this paper is to explain carefully the arguments behind the assertion that the correct quantum theory of gravity must be background independent. We begin by recounting how the debate over whether quantum gravity must be background independent is a continuation of a long-standing argument in the history of physics and philosophy over whether space and time are relational or absolute. This leads to a careful statement of what physicists mean when we speak of background independence. Given this we can characterize the precise sense in which general relativity is a background independent theory. The leading background independent approaches to quantum gravity are then discussed, including causal set models, loop quantum gravity and dynamical triangulations and their main achievements are summarized along with the problems that remain open. Some first attempts to cast string/M theory into a background independent formulation are also mentioned.

    The relational/absolute debate has implications also for other issues such as unification and how the parameters of the standard models of physics and cosmology are to be explained. The recent issues concerning the string theory landscape are reviewed and it is argued that they can only be resolved within the context of a background independent formulation. Finally, we review some recent proposals to make quantum theory more relational.


    So if someone saids that space is empty, I have a really hard time with it.

    See:

  • Quantum Harmonic Oscillator