I am not one to see benefit by using drugs in the personal exploration of attributes of consciousness. But, I do not deter myself from examining technically, what is used, as already being in existence, to help with that exploration.
When thinking of Timothy Leary, while I may not like his chemical journeys, Leary using the, " Tibetan Book of the Dead as a guide book for LSD sessions." I do like the idea of the deeper exploration of what has been handed down to us so as to examine consciousness as an experience in the telling of the Tibetan Book of the Dead reveals about life. The connotation when using the term death is to realize that consciousness is capable even in life to be foretelling about the journey we will all face one day.
While it may sound suspect that I have some bias towards life after death let's put that aside for the more critical examination of the experiences you have already had. I am not trying to substitute anything other then to consider the potential that already exists within our own selves. About our present examinations and tallies of the day to day, and where we are going with the future in the examination of our own lives.
Also, while I may see to use technical means in order to deduce subjective states of existence, it does not mean that what I have already experienced on my own is invalidated. These technical means are simply used in order to reach "similar states" that are and have been experienced by me. Hopefully.
By identifying brain wave information and examining correlative information deduced from such states, it is of course of relevance to the times that such information is forth coming. By drawing correlative experiences by talking about "the Park" or, "Focus level states," this is to show that such states have relevance to the examination I am placing on brain waves states.
Also a link to examine "the Intent in the Actualized," to examine more deeply the correlative state that consciousness can experience by delving deeper into the meaning of one's dreams. What you are able to draw from it information wise. In that sense I explored the idea of time travel, as a means of identifying aspects of consciousness that I believe is capable of moving back in time to examine historical correlates. I am not saying it is true just that from a creative standpoint such explorations can be useful fodder for the examination of written material for a story perhaps. A story that you are inherently strongly attached too, as it arises from your exploration.
So in this sense, I am using Binaural Beats to emphasize one such technical means to use in the exploration of consciousness.
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| In view of this apparent misappropriation of credit, it is worthwhile to take a careful chronological look at the superheterodyne, to see precisely how it was invented and how it was introduced into practice.Who Invented the Superheterodyne? |
See:
- Heterodyning is a radio signal processing technique invented in 1901 by Canadian inventor-engineer Reginald Fessenden, in which new frequencies are created by combining or mixing two frequencies.[1][2][3] Heterodyning is useful for frequency shifting signals into a new frequency range, and is also involved in the processes of modulation and demodulation.[2][4] The two frequencies are combined in a nonlinear signal-processing device such as a vacuum tube, transistor, or diode, usually called a mixer.[2] In the most common application, two signals at frequencies f1 and f2 are mixed, creating two new signals, one at the sum f1 + f2 of the two frequencies, and the other at the difference f1 − f2.[3] These new frequencies are called heterodynes. Typically only one of the new frequencies is desired, and the other signal is filtered out of the output of the mixer. Heterodynes are closely related to the phenomenon of "beats" in music.
- superheterodyne receiver (sometimes shortened to superhet) uses frequency mixing or heterodyning to convert a received signal to a fixed intermediate frequency (IF), which can be more conveniently processed than the original radio carrier frequency. Virtually all modern radio and television receivers use the superheterodyne principle.
Binaural beat are heard when the right ear listens to a slightly different tone than the left ear. Here, the tones do not interfere physically, but are summed by the brain in the olivary nucleus. This effect is related to the brain's ability to locate sounds in three dimensions.
In anatomy, the olivary bodies or simply olives (Latin oliva and olivae, singular and plural, respectively) are a pair of prominent oval structures in the medulla oblongata, the lower portion of the brainstem. They contain the olivary nuclei.
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Comment At-
RBM- BB's are not a causative agent but a aid to an inherent ability.
I do not disagree with this.....in fact I am gathering other ways in which to help in that effort as they are being discovered.
Focus 15: A state of "no time" in which you explore beyond the constraints of time and place. Opportunities are abundant for establishing communication with larger aspects of self.
Focus 15 and the Park are specific as to the realization implied, by recognizing these attributes in self as possible.
There are others methods that are being gathered that may help in this understanding, as a means to an end as well.
In its original form, a dreamachine is made from a cylinder with slits cut in the sides. The cylinder is placed on a record turntable and rotated at 78 or 45 revolutions per minute. A light bulb is suspended in the center of the cylinder and the rotation speed allows the light to come out from the holes at a constant frequency of between 8 and 13 pulses per second. This frequency range corresponds to alpha waves, electrical oscillations normally present in the human brain while relaxing.[2]
This understanding has it's basis in what Tesla had to offer about wireless transmission in terms of "the principal." A resonator, and what is attach to devices that come within the field. While it is of biological significance the BB's are in question here as one might wonder about schumann response on a global level.
